鬼打鬼2

视频简介

2016年威尼斯节唯一入围的拉丁美洲影片，该片堪称拉丁美洲版《教父》，讲述爱情，谋杀，腐败等。。自从妻子去世后，武士野见勘十郎（野见隆明 饰）似乎就变得意志消沉，他拒绝奔赴战场，情愿抛弃武士的尊严。为此，野见成了没有有鞘无刀的武士，他带着女儿（熊田圣亚 饰）四处流浪，遭领主（国村隼 饰）通缉和杀手的追杀。在此期间，连女儿都对他百般奚落。野见最终落网，领主责令他在三十天内逗因母亲去世而深陷悲伤无法自拔的幼主展露笑容，否则就要切腹自杀。在接下来的三十天内，两名看守（板尾创路 & 柄本时生 饰）构思了各种各样离奇的鬼点子，可是幼主的脸上始终愁云密布。 最后的期限越来越近，野见命悬一线……。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。