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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。本故事主要讲述了方浩在过失杀死女友后，总是能看见女友复仇的画面，保外就医接受治疗时，医生发现他在犯罪后内心极度逃避罪责，又因为头部创伤而产生了解离症，并因此分裂出一个次人格来替换掉本身的主人格。本片表达了一时的冲动犯罪可能会让人终生生活在精神痛苦之中，对预防犯罪具有一定的警示作用。片中的医生吴哲小心地呵呼精神病人，为防止病人的精神奔溃，采用高超的医术和非常规的方法来治疗，体现出医者仁心的思想品质。片中的主角在被吴哲告知了主人格被替换的事实后，依然排斥真相借此来逃避心理上的罪恶感，最终病情加重完全丧失了自我。这一悲剧性的结局设定，批判了做错事不能承担起责任的逃避心理。也讲述了人如果无法直面自己的错误，有可能会丧失人格的寓言故事。。该剧讲述了中国人民解放军创始人之一叶挺将军的传奇人生故事。。