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伯格曼早期作品，讲三个孕妇在产房中的一天，剖析了她们的内心世界。影片拍得很写实，有点纪录片的味道。本片获得戛纳影展最佳导演奖，四位女主角也共同分享了戛纳影展的最佳女主角奖。。该剧主要描写长沙老城区一户姓严的人家，老两口生有四个儿子，除了一个儿子已经结婚，其他三个儿子都已有对象，依着老严的如意算盘，三个未来儿媳应该是本地姑娘。但恰恰相反，三个儿子的意中人却都是外地女子，一个带回来了常德妹子，一个带回来了北京姑娘，还有一个甚至带来了金发碧眼洋妞。老严阻挡不成，几个外地媳妇硬是挤进了家门。从此严家的生活秩序被打破了，充满新鲜内容和喜剧色彩的生活展现在我们面前……。This Film seems to be some kinda sequel to the Hunted City. Comissario Ferro comes from Rome to Milan. The violence is at a all time high. Gangsters dress up with some bizarre Carnival-masks. They use this outfit to liquidate some opponents. Ferro is no friend of such behavior and so he uses his gun the traditional way and lightens their masses a little bit. Even though the ending is a bit disappointing, the film contains a great fight in a plastic-factory with lots a white plastic bottles. Visually nice! I like the documentary-style of Massis Camera very much. It makes the film so involving and real. His Experience in the Western-Genre as Camera operator in films like "C'e Sartana vendi la pistola..." and "Dio Perdoni la mia Pistola" sure comes in handy. Joan Collins had no trouble with face-surgery at that time.。